I'm currently a fourth-year doctoral candidate in English at Harvard University, where I'm also pursuing a secondary field in African and African American Studies. In the English Department, I serve as Lead Coordinator for Graduate Colloquia and co-coordinator of the Race & Ethnicity Graduate Colloquium. I'm also an affiliate of the Afro-Latin American Research Institute at the Hutchins Center for African and African American Research, and a member of the Tutorial Board in the Department of Comparative Literature.
I study primarily African American, African diasporic, and American multi-ethnic literatures across all periods, especially as they intersect with the history of Atlantic slavery. My research thus far has appeared in Transition, Callaloo, Journal of Social History, and Journal of American Studies, with additional essays forthcoming in MELUS, ReVista: Harvard Review of Latin America, the Dictionary of Caribbean and Afro-Latin American Biography, and Cambridge Companion to Richard Wright. I'm also a co-editor, along with Wai Chee Dimock et al., of American Literature in the World: An Anthology from Anne Bradstreet to Octavia Butler (Columbia UP, 2017).
My dissertation project, "Narrative Events: Slavery, Testimony, and Temporality in the Afro-Atlantic World," provides an account of New World slave testimony that challenges scholarly preoccupation with the American slave narrative tradition and its attendant critical conventions. My research asks how various genres of slave testimony produced in the Americas, Europe, and Africa in the seventeenth through twentieth centuries have remained largely illegible to literary criticism and thus marginal to African diasporic literary history. It argues that by focusing renewed attention on forms of slave testimony often considered either generically unconventional, extremely scarce, or altogether nonexistent, we glean new understandings of the temporalities of enslavement specifically and the relationship between history and narrative most broadly. Methodologically, the project draws on literary criticism and comparative literature, as well as performance studies, anthropology, historical ontology, and the history of the disciplines.
I received my B.A. in Comparative Literature and History from Harvard College, where I lived in Lowell House, wrote for The Harvard Crimson, produced Lowell House Opera, and did research in the departments of English and African and African American Studies. My senior thesis—on the alleged absence of Francophone slave narratives—won four university honors: the Thomas Temple Hoopes Prize, George B. Sohier Prize, Kwame Anthony Appiah Prize, and the Bowdoin Prize (for the third chapter), and was also nominated for the Radcliffe Institute's Captain Jonathan Fay Prize.
I was born and raised in New York City, where I attended the Dalton School and the Manhattan School of Music Pre-College Division.
See my CV here.